AKG Created the C414 of the 21st Century

15 New Features | New Accessories | New Packaging | New Styling  

The new AKG C414B, one of the most famous studio reference microphones, has undergone several engineering metamorphoses since its original induction in 1962. The current model has been upgraded to digital level performance, conquering the installed sound market whilst remaining a firm favourite of studio engineers worldwide. The unique shape has often been copied, while its unique sound and advanced technology have remained unequalled.

Representing a quantum leap in engineering, AKG has created the new generation of C414 microphones by adding 15 new features. With a refined stylish and elegant look, the new rounded edges reduce unwanted reflections. The addition of LED switch position markers - indicating microphone output overload - polar pattern selection, pre-attenuation, high pass filters and power on/off status further enhance the user-friendliness of this industry-standard microphone. The new C414B takes excellence in engineering to a new level of performance with advanced SMD componentry.

Other features include:

  • A fifth polar pattern has been added to the original set of four selectable patterns, cardioid, hypercardioid, figure eight, omni and the new wide cardioid.
  • All function selectors are situated in the low-impedance section to prevent problems at high humidity.
  • A capsule shock mount minimises handling and stand-transmitted noise.
  • Pre-attenuation is achieved by changing polarized voltage
  • Tight sensitivity tolerance (± 0.5%)
  • Higher sensitivity than earlier models (+6 dB)
  • Three pre-attenuation pads (-6/-12/-18 dB)
  • Three high-pass filters (40/80/160 Hz)
  • Low self-noise (6 dB-A)
  • Provision for remote control of all selectable functions
  • Both X versions are available as matched stereo pairs

 

2 versions are currently available, C414 B-XLS (ultra linear), C414 B-XL (transformerless)  

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Sound Pressure Level (SPL) is the acoustic pressure reference for dB. The minimum threshold of undamaged human hearing is considered to be 0 dB SPL. The threshold of pain for undamaged human hearing is 120 dB SPL.

 



 
   

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